{"id":28331,"date":"2025-05-28T11:48:53","date_gmt":"2025-05-28T09:48:53","guid":{"rendered":"https:\/\/www.artibs.com\/?page_id=28331"},"modified":"2025-05-28T11:48:53","modified_gmt":"2025-05-28T09:48:53","slug":"kirsten-trebbien","status":"publish","type":"page","link":"https:\/\/www.artibs.com\/?page_id=28331","title":{"rendered":"Kirsten Trebbien"},"content":{"rendered":"

Kirsten Trebbien<\/h1><\/div>
<\/div>
<\/span><\/div><\/div><\/div><\/div><\/div>

Kirsten Trebbiens pictures has direct references to 17th and 18th century painters from the Netherlands, Spain and Italy. But even though she uses many of the same elements in her images as the old masters, is not a question of copying. Instead, she creates new works, where she maintains an enigmatic atmosphere that in its own way unites past and present. The main motive is often flowers, fruits or rustic foods \u2013 or a combination of it all. At first glance it may look as though things are thrown into the picture almost by accident. Snails and beetles are crawling around between food and flowers, the cloth is curly and the glass half empty. But make no mistake. There is order in chaos and nothing is random. The secrets lies in the details, and it is not least here Kirsten Trebbien is in harmony with the old masters.<\/p>\n<\/div><\/div><\/div>

Kirsten Trebbiens billeder har direkte referencer til det 17. og 18. \u00e5rhundredes malere fra Holland, Spanien og Italien. Men selv om hun bruger mange af de samme elementer i sine billeder som de gamle mestre, er der ikke tale om kopiering. I stedet skaber hun nye v\u00e6rker, hvor hun fastholder en g\u00e5defuld atmosf\u00e6re, der p\u00e5 sin egen m\u00e5de forener fortid og nutid. Hovedmotivet er ofte blomster, frugter eller rustikke f\u00f8devarer – eller en kombination af det hele. Ved f\u00f8rste \u00f8jekast kan det se ud, som om tingene er smidt ind i billedet n\u00e6rmest ved et tilf\u00e6lde. Snegle og biller kravler rundt mellem mad og blomster, kluden er kr\u00f8llet, og glasset er halvtomt. Men tag ikke fejl. Der er orden i kaos, og intet er tilf\u00e6ldigt. Hemmelighederne ligger i detaljerne, og det er ikke mindst her, Kirsten Trebbien er i harmoni med de gamle mestre.<\/p>\n<\/div><\/div><\/div><\/div><\/div>